Hello Everyone. Mystic Journeys is now available on most major distribution and streaming sites. Links to some of my favourites are listed below for your convenience. You can also search “Donald Glenn, Mystic Journeys” on your preferred platform if you don’t like the ones listed here. Hope you love the album!
My album, Mystic Journeys, is all set for release next Friday, Jan. 31st. It should be available for sale on itunes, CD Baby and most streaming services like Spotify and Deezer. If you don’t see it right away on your favourite service, just wait a while. It will be there eventually.
It seems a little surreal to be finally letting it go. I guess it would be fair to say that it’s been a long time coming. I actually wrote part of one of the songs, Starting Out, more than 40 years ago. Others like Slipping Away and Don’t You Ever Wonder Why first saw the light of day in the early 90s.
And then there’s Away You Go Flying, which I wrote a few days before the end of 2019. I actually had the whole album ready to go when that song first started percolating in my brain. I thought it might be a good one, and I decided to delay the album release so I could add it. I laid down the vocal and guitar as a single track, and then I added drums and other percussion, a complicated bass line and I started experimenting with a fiddle melody. But then I thought, no. It should just be the original vocal-guitar track. It’s more honest that way. More authentic. And what could be more authentic or honest than a song about your dead Mother?
Anyway, it’s coming out Friday. I’ll post again after the release with links to samples etc. Hope you like it.
Hi Everyone. I’m running a free book promotion of Murphy’s Law this Sunday, January 26th on Amazon, so if you happen to be a member of Kindle Unlimited, you can download the book for free. If you’re not a Kindle Unlimited member, you can always sign-up for the 30-day free trial. Thanks for your continued comments and ratings on Goodreads and Amazon, and please have a great weekend!
Hi Guys. I’ll be performing at the Gibsons Public Market from 2:30 to 4:30 p.m. on Saturday, December 28th. Please stop by to listen to some tunes and maybe grab something tasty from Emelles. Look for me upstairs in the Atrium. Hope to see you there…
beat goes on…
Hello Everyone. I’m running a free book promotion this Sunday and next Sunday on Amazon, so if you happen to be a member of Kindle Unlimited, you can download Murphy’s Law for free. If you’re not a Kindle Unlimited member, you can always sign-up for the 30-day free trial. Thanks for your continued comments and ratings on Goodreads and Amazon, and have a great weekend.
Hi guys. I just topped 1000 views on my YouTube Channel, Donald Glenn and his musical friends. The count was 1004 last time I checked. Thanks guys.
I need 15 more views to get to a total of 1,000 on my YouTube Channel, Donald Glenn and his musical friends. If you haven’t seen it yet, it would be cool if you could check it out. Is that too needy?
Celebrated author and composer, John MacLachlan Gray, will read from his 2013 best seller, The White Angel, at the Sunshine Coast Arts Centre at 7:30 p.m. Saturday, September 28th. The evening, which kicks off the fall season of the Sunshine Coast Arts Council’s Annual Reading Series, may also feature some sneak-previews from John’s current project tentatively titled Vile Spirits.
One of the most versatile and multi-talented creative artists in Canada, John’s storied career includes stints on the stage, TV, film and radio both as a playwright and a composer. He is probably best known for his landmark of Canadian musical theatre, Billy Bishop goes to War, which he wrote and composed with Eric Peterson in 1978. Gray received both the Governor General’s Literary award and a Golden Globe for the musical, which was produced on and off-Broadway and released as a feature film in 2011.
In later life, John turned to books as his preferred mode of expression and has published in both fiction and non-fiction genres. The White Angel, John’s fifth mystery-thriller, is a riveting fictional account of one of British Columbia’s most notorious unsolved crimes: the murder of Scottish Nanny Janet Stewart, who was found dead of a gunshot wound in the Vancouver home of her employer in 1924. Vile Spirits is set in the year following, and like White Angel is based on true life events and features some of the same characters.
I hesitate to admit to a guilty pleasure I have managed to keep secret for almost a decade. My name is Glenn, and I am a Walkaholic. I am irredeemably infected with the special juice that causes aficionados like myself to devour broadcasts of the Walking Dead, show after show, season after season. I have seen every minute of every episode of the AMC series since it first aired on Halloween night in the year of our Lord 2010, and I expect that I will continue watching until they stop making the show, or I die.
But that is not the news here, fake or otherwise. It’s my reason for watching, I believe, that sets me apart from my fellow addicts. For me, the Walking Dead is the perfect metaphor for American society and, because of the close geographic and social proximity of the United States, for my own small corner of the world—Canada. The central premise of the Walking Dead is the idea of the other, and the show revolves around the dilemma of how best to protect ourselves from their bloodthirsty intent.
In the first episodes of the show, the role of the other was played by the zombies—salivating hoards of rotting undead, fixed on the relentless, though somewhat clumsy, pursuit of uninfected human flesh. When they did manage to bite someone, they turned them into slobbering zombies like themselves, and the cycle continued spreading the mysterious zombie virus throughout the world.
The Walking Dead metaphor works on so many levels. For Millennials on the verge of adulthood, it is easy to see the zombies as members of established society sleepwalking their way through life, oblivious to the real-world wonders all around them. For Americans who fear the coming influx of people from other parts of the world, the zombies can be seen as a threat to their way of life and their deeply-rooted reluctance to embrace fundamental social change.
But it is in the more recent shows that the Walking Dead metaphor so clearly analogies the fork in the road that currently lays before the American people. In the later shows, the uninfected survivors splinter into rival tribes as they struggle to survive the inhospitable world brought on by the rise of the zombies. It is the members of rival tribes that have become the enemy—the other. The key question that the survivors face is ‘are we safer living together with the other tribes, or are we better off on our own?’ It is stunningly similar to the choices facing the citizens of Donald Trump’s America: What is the correct path forward at this key juncture in American history? Are we better to go it alone with people like ourselves who we know we can trust, or should we join forces with the other to tackle the big problems that threaten the whole world?
That’s why I have to keep watching, and I’m talking here about both the Walking Dead and the trials and tribulations of my good neighbours to the south. I have to find out what happens.
Here’s a simple way to protect the gyprock wall in your garage from water leaks and save a plastic bottle from the landfill at the same time. Choose a wide-mouth plastic bottle and cut away the bottom half on a diagonal leaving the mouth intact. Unscrew your hose and slide the bottle onto the tap. Replace the hose, and voila. Now, drips from the tap will run down the bottle to the floor instead down your wall.